Do you use word whiskers in your public speaking?
The behavior of expressing “ur, uh, mm,” or some other noise similar to a grunt other than a word, contributes nothing to the meaning of a speech and can easily become extremely maddening for audience members.
These vocalized breaks, word whiskers, or conversational burs occur like a worthless habit (as dry washing the hands) or when a speaker is sparring for words. Perhaps subconsciously feeling he or she must be speaking some thing continuously he / she tosses in the “urs” and “ahs” while he / she is thinking of what he / she will say next. In these kinds of cases the remedy can be a vivid knowing of the behavior and constant alertness to stop it.
Recording and replaying a speech or two will probably point out whether or not a presenter has the practice of saying “uh” or not. As well as giving someone a dollar every time he is overheard saying a vocalized pause will quickly break him, 1 way or another.
An additional weak personal tendency, evident sometimes in speaking, is physical indirectness or “very poor eye-to-eye contact.” A few speakers manage to prefer looking out a window or perhaps at the floor instead of at somebody in the audience.- This may be due to intense shyness, insufficient practice, or possessing little interest in the subject or audience.
The real “contact” in verbal communication of course comes from the speaker’s mind and soul. His / her eyes are just the devices” by which his / her feelings and thoughts are portrayed. When he or she is deeply serious about a subject and enthusiastic to share this topic the mental and emotional communication is vital and strong. Under these kinds of circumstances eyes aren’t shifty or evasive. They’re positively communicating! At the same time a speaker talks he / she ought to be looking straight at someone. And he / she ought to give all sections of his audiences around equal attention.
An appealing speaker typically, however, not all the time, moves around some as he speaks. A bit of this affords interesting variety by changing the actual physical picture. If it is overdone or simply to grab attention to the speaker, however, the effect could impede communication.
A valuable maxim of effective bodily action is doing what comes naturally with regards to ideas that are being portrayed. Muscles, along with the intellect and voice, ought to freely express those concepts.
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